Originally published as a hand-drawn colouring book, We Are the Witches was reimagined by the artist as a large-scale, participatory installation for the FiLiA conference. Conceived as a space of rest within an intense political gathering, the work invited women to enter the book itself: walls covered from floor to ceiling with black-and-white witches, waiting to be coloured.

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Created on a zero budget and constructed entirely by hand, the installation was built from hundreds of A3 prints assembled into monumental wallpaper, panel by panel. Faced with an all-brick venue, the artist devised a temporary, non-invasive structure using hand-cut grey boards and adhesive, allowing the work to exist without damaging the space.

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Part sanctuary, part collective artwork, the installation offered a pause from debate and urgency — a tactile, shared act of making. Over months of solitary labour, the project moved from private cut-and-paste process to a public, immersive environment: a space made for women, by women.